Harry Kabakoff, born Melville Himmelfarb and know as the "Mad Russian" has died.
Kabakoff's best known fighter was Jesus Pimentel who fought Ruben Olivares for the bantamweight title, losing by ko, he also managed other lesser known fighters, who he kept busy fighting at the fame Olympic Auditorium, Los Angeles, Ca.
Tuesday, November 17, 2009
Thursday, November 12, 2009
At 84, Art Laboe's an oldie but still a goodie
After more than 50 years on the radio, the disc jockey is still going strong, playing sentimental songs and taking dedications. His deep, soothing voice is cherished by his Latino listeners.
Radio legend Art Laboe, left, and producer Tom Peniston inside Laboe's Hollywood studio. His show ranks near the top in its evening time slot, according to Arbitron ratings, and is popular among listeners 25 to 54 years old. (Jay L. Clendenin / Los Angeles Times)
By Esmeralda Bermudez
November 12, 2009
The disc jockey smiles when he hears Juanita Santos' raspy voice.
"Art," she says from her small town near Fresno, "I want you to tell my husband, Juanito, 'You're my Chicano king. I'm your booty- licious. I can't live without you. I'll never let you go.' And I want you to blow him a big kiss for me and play 'You're My Shining Star.' "
"OK, Juanita. Here goes that kiss. . . . Muaah!"
Phone lines flash six nights a week inside a dimly lit Hollywood studio where Art Laboe sits before his microphone, faithful to his old-fashioned format: playing sentimental oldies and taking dedications. For more than 50 years, his deep, soothing voice has been as cherished among Latinos in the Southwest as Chick Hearn's rapid-fire staccato once was among Lakers fans.
Listeners with nicknames such as Mr. Porky, Lil' Crazy, Big Papi, Bullet, Bugsy and Payasa call in from Oxnard, Riverside and Boyle Heights; from Phoenix, Albuquerque and Nevada. They are lonely women, rueful men, rapt lovers, entire families with squeaky-voiced children who ask Laboe to wish their grandmothers good night.
The 84-year-old disc jockey helps them celebrate anniversaries, mourn their dead and profess their love. He is the intermediary who reconciles arguments, encourages couples to be affectionate, sends out birthday wishes and thank yous.
His program, which is especially popular among listeners 25 to 54 years old, has consistently ranked near the top of its evening time slot, according to the ratings firm Arbitron. The Art Laboe Connection plays in more than a dozen cities in four states and draws about a million listeners a week.
"His show was the first place a young Chicano kid had to air his feelings, the first place you could say something and be heard," said Ruben Molina, author of two books on Chicano music and American culture. "It was like an intercom where you could tell the world -- our world -- 'I'm sorry' or 'I love so-and-so' and everyone knew the next day."
Messages arrive by phone, a few by mail. Sometimes Laboe reads them on the air:
Her name is Ana Ivette Vasquez and I want to let her know that I'm really sorry for doing her wrong, for all the tears she dropped and pain I put her through. I want to dedicate you this song from deep down in my heart: "I Need Love."
Other times he plays the recorded voices of listeners, who speak to him as to an old friend, often in a broken English laced with gangster slang.
I want to hear "Wasted Days and Wasted Nights" for all the firme homies from Orange County, from their homie Dreamer. I want to tell them to keep their head up and stay strong.
"He is more Chicano than some Chicanos," said comedian Paul Rodriguez, who grew up listening to Laboe. "And everyone from the toughest vato to the wimpiest guy would say the same."
::
Laboe eases into his leather chair just before the 7 p.m. start of his broadcast on HOT 92.3 FM. Tea and cough medicine are within reach. His producer, Tom Peniston, sits across a radio mixing board, munching on a sandwich.
The light blinks with the evening's first call:
This dedication is to Marcela Baca. I wish the family would just stop fighting. I wish we could all get along. This is Alex in Phoenix, Arizona. . . . .I want to play that song "So" by War.
Laboe comes to life on the microphone. He'll prod a shy caller to declare his feelings. He'll blush when another gushes, "Oh my God, I can't believe I'm really talking to you!"
He observes rules that he says keep him in business: Never flirt with a woman or call her "baby" or "honey" because it drives away male callers. Never ask if a caller is in prison -- it's not polite. Some in his audience have come to speak in a sort of code, referring to cities that hint that their loved one is incarcerated.
I want to dedicate "The Ship Won't Sail Without You" to my husband, Big, in Chino from Roxanne. I love you and I'll be up that way tomorrow.
Most important, the disc jockey never judges his listeners.
"Here's somebody . . . . who might feel that what they have going on is of little importance in life," Laboe said. "And now they come on the radio and their voice goes out to the whole world."
Laboe, just over 5 feet tall, has bulging eyes, bushy brows and a prominent nose. As a boy, he always was the loner, the Armenian kid other students barely noticed, especially girls.
Drawn by the anonymity of radio, Laboe started his own amateur station in 1938 out of his bedroom in South Los Angeles. He was 13. Back then, he was Art Egnoian and he had recently moved to California from Utah to live with his sister.
"The radio opened up new doors for a guy who wasn't a big, good-looking hunk," he said.
After serving in World War II, he did stints at various radio stations and changed his name to Laboe when a general manager said it was catchier. When rock 'n' roll struck in the 1950s, Laboe launched a live broadcast from Scrivners, a drive-in restaurant in Hollywood. Masses of teens crowded around him to request songs and dedications, and his career took off.
He wanted to be a concert promoter, bring in big bands. But the city of Los Angeles banned youths younger than 18 from attending public dances and concerts. So he decided to host shows in El Monte, which attracted teenagers from the Eastside and its growing Mexican American population.
Latinos poured in to see Chuck Berry, Ray Charles and Jerry Lee Lewis at the now-defunct El Monte Legion Stadium. Laboe played the rhythm-and-blues and doo-wop these youths craved. He compiled his fans' favorite songs on vinyl records, eight-tracks, cassette tapes and ultimately compact discs featuring Mexican American acts. He learned to pronounce Spanish names.
"It was never intentional," Laboe said. "The connection was there and when they came, I welcomed them with open arms."
Laboe became part of the emerging Chicano identity in Los Angeles, his voice and music the soundtrack of lowrider shows and nights spent cruising Whittier Boulevard. He is the only non-Latino selected as grand marshal of the East L.A. Christmas parade and is a favored award recipient among Latino organizations. At their functions, he says, he is often "the only white guy in the room."
These days he descends from his Hollywood Hills home in a black Jaguar and lunches at the Chateau Marmont.
His home decor features a nude portrait of Marilyn Monroe hanging above his bed, made up in pink-and-white sheets. A giant oil painting of his deceased cat, Baby, is the focal point of the living room. Motivational sayings written on Post-It notes (If you believe in your power to do great things, you will) share space on his refrigerator door with doctor's notices detailing the symptoms of a stroke.
He has lived in the home, mostly alone, since 1964, when he and his second wife, a Las Vegas showgirl, divorced. Most of his relatives, with the exception of two older sisters, have died. "My listeners," he said, "they are like a family."
Regular Laboe listeners include middle-age mothers and high-ranking politicians in the state Capitol. His fans identify with the melodramatic songs he plays the way Tennesseans identify with country music. Some callers express themselves in Laboe-isms, parroting the lyrical verses heard on the oldies show.
I want to tell him to 'Smile now, cry later' because 'I will always be there for you.'
State Sen. Gil Cedillo (D-Los Angeles) remembers cruising through Boyle Heights with Antonio Villar (later Villaraigosa) in the future mayor's canary yellow 1964 Chevy, bumping Laboe's music. It was the early 1970s, and Laboe was everyone's favorite uncle in the neighborhood, he said.
"There was no place else to be," Cedillo said, "but right there, listening to his music."
::
The crowd roars as Laboe steps onstage.
"We love you, Art!" young women yell in unison from their seats.
"You're the man!" the men holler.
It is the last hour of the Art Laboe Show LIVE concert in San Bernardino in September, and about 13,000 people, nearly all of them Latinos, are packed into the San Manuel Amphitheater.
Tattooed teenagers in baggy clothes sway in their seats alongside grandparents and children. Many slow-dance in the aisles and sing out loud as Evelyn "Champagne" King, the Manhattans and other acts perform songs that Laboe has helped keep alive.
The disc jockey emerges from backstage to introduce the last act. He is in his sixth suit of the evening, a gold polyester number that shimmers under red and yellow lights. He looks out into the audience and blows kisses.
"What a night! And it's not over yet. Wait till you see what we have coming up next."
Many of his fans, seeing his enthusiasm and hearing his vibrant voice, would never imagine the man on stage is almost 85.
"What is he?" asks a 16-year-old concertgoer. "I think 54. Or 63? . . . 61?"
No matter his age, Laboe has no plans to quit any time soon. He wants to syndicate his show in more states, enter the Radio Hall of Fame and learn how to use Twitter.
Yet radio is not the draw it once was. The recording studio he bought in the early 1960s no longer makes a profit and is up for sale. Some nights, a tired Laboe heads out early, leaving recorded dedications for his producer to read on the air.
Still, if the end of the Art Laboe era is approaching, his fans don't see it. Or don't want to believe it.
"I know he won't live forever," said Estella "Proxie" Aguirre, 67, a listener since the 1950s. "But I get a lump in my throat just talking about it. I love him like I love my husband, except Art Laboe and I never argue."
esmeralda.bermudez@latimes.com
Radio legend Art Laboe, left, and producer Tom Peniston inside Laboe's Hollywood studio. His show ranks near the top in its evening time slot, according to Arbitron ratings, and is popular among listeners 25 to 54 years old. (Jay L. Clendenin / Los Angeles Times)
By Esmeralda Bermudez
November 12, 2009
The disc jockey smiles when he hears Juanita Santos' raspy voice.
"Art," she says from her small town near Fresno, "I want you to tell my husband, Juanito, 'You're my Chicano king. I'm your booty- licious. I can't live without you. I'll never let you go.' And I want you to blow him a big kiss for me and play 'You're My Shining Star.' "
"OK, Juanita. Here goes that kiss. . . . Muaah!"
Phone lines flash six nights a week inside a dimly lit Hollywood studio where Art Laboe sits before his microphone, faithful to his old-fashioned format: playing sentimental oldies and taking dedications. For more than 50 years, his deep, soothing voice has been as cherished among Latinos in the Southwest as Chick Hearn's rapid-fire staccato once was among Lakers fans.
Listeners with nicknames such as Mr. Porky, Lil' Crazy, Big Papi, Bullet, Bugsy and Payasa call in from Oxnard, Riverside and Boyle Heights; from Phoenix, Albuquerque and Nevada. They are lonely women, rueful men, rapt lovers, entire families with squeaky-voiced children who ask Laboe to wish their grandmothers good night.
The 84-year-old disc jockey helps them celebrate anniversaries, mourn their dead and profess their love. He is the intermediary who reconciles arguments, encourages couples to be affectionate, sends out birthday wishes and thank yous.
His program, which is especially popular among listeners 25 to 54 years old, has consistently ranked near the top of its evening time slot, according to the ratings firm Arbitron. The Art Laboe Connection plays in more than a dozen cities in four states and draws about a million listeners a week.
"His show was the first place a young Chicano kid had to air his feelings, the first place you could say something and be heard," said Ruben Molina, author of two books on Chicano music and American culture. "It was like an intercom where you could tell the world -- our world -- 'I'm sorry' or 'I love so-and-so' and everyone knew the next day."
Messages arrive by phone, a few by mail. Sometimes Laboe reads them on the air:
Her name is Ana Ivette Vasquez and I want to let her know that I'm really sorry for doing her wrong, for all the tears she dropped and pain I put her through. I want to dedicate you this song from deep down in my heart: "I Need Love."
Other times he plays the recorded voices of listeners, who speak to him as to an old friend, often in a broken English laced with gangster slang.
I want to hear "Wasted Days and Wasted Nights" for all the firme homies from Orange County, from their homie Dreamer. I want to tell them to keep their head up and stay strong.
"He is more Chicano than some Chicanos," said comedian Paul Rodriguez, who grew up listening to Laboe. "And everyone from the toughest vato to the wimpiest guy would say the same."
::
Laboe eases into his leather chair just before the 7 p.m. start of his broadcast on HOT 92.3 FM. Tea and cough medicine are within reach. His producer, Tom Peniston, sits across a radio mixing board, munching on a sandwich.
The light blinks with the evening's first call:
This dedication is to Marcela Baca. I wish the family would just stop fighting. I wish we could all get along. This is Alex in Phoenix, Arizona. . . . .I want to play that song "So" by War.
Laboe comes to life on the microphone. He'll prod a shy caller to declare his feelings. He'll blush when another gushes, "Oh my God, I can't believe I'm really talking to you!"
He observes rules that he says keep him in business: Never flirt with a woman or call her "baby" or "honey" because it drives away male callers. Never ask if a caller is in prison -- it's not polite. Some in his audience have come to speak in a sort of code, referring to cities that hint that their loved one is incarcerated.
I want to dedicate "The Ship Won't Sail Without You" to my husband, Big, in Chino from Roxanne. I love you and I'll be up that way tomorrow.
Most important, the disc jockey never judges his listeners.
"Here's somebody . . . . who might feel that what they have going on is of little importance in life," Laboe said. "And now they come on the radio and their voice goes out to the whole world."
Laboe, just over 5 feet tall, has bulging eyes, bushy brows and a prominent nose. As a boy, he always was the loner, the Armenian kid other students barely noticed, especially girls.
Drawn by the anonymity of radio, Laboe started his own amateur station in 1938 out of his bedroom in South Los Angeles. He was 13. Back then, he was Art Egnoian and he had recently moved to California from Utah to live with his sister.
"The radio opened up new doors for a guy who wasn't a big, good-looking hunk," he said.
After serving in World War II, he did stints at various radio stations and changed his name to Laboe when a general manager said it was catchier. When rock 'n' roll struck in the 1950s, Laboe launched a live broadcast from Scrivners, a drive-in restaurant in Hollywood. Masses of teens crowded around him to request songs and dedications, and his career took off.
He wanted to be a concert promoter, bring in big bands. But the city of Los Angeles banned youths younger than 18 from attending public dances and concerts. So he decided to host shows in El Monte, which attracted teenagers from the Eastside and its growing Mexican American population.
Latinos poured in to see Chuck Berry, Ray Charles and Jerry Lee Lewis at the now-defunct El Monte Legion Stadium. Laboe played the rhythm-and-blues and doo-wop these youths craved. He compiled his fans' favorite songs on vinyl records, eight-tracks, cassette tapes and ultimately compact discs featuring Mexican American acts. He learned to pronounce Spanish names.
"It was never intentional," Laboe said. "The connection was there and when they came, I welcomed them with open arms."
Laboe became part of the emerging Chicano identity in Los Angeles, his voice and music the soundtrack of lowrider shows and nights spent cruising Whittier Boulevard. He is the only non-Latino selected as grand marshal of the East L.A. Christmas parade and is a favored award recipient among Latino organizations. At their functions, he says, he is often "the only white guy in the room."
These days he descends from his Hollywood Hills home in a black Jaguar and lunches at the Chateau Marmont.
His home decor features a nude portrait of Marilyn Monroe hanging above his bed, made up in pink-and-white sheets. A giant oil painting of his deceased cat, Baby, is the focal point of the living room. Motivational sayings written on Post-It notes (If you believe in your power to do great things, you will) share space on his refrigerator door with doctor's notices detailing the symptoms of a stroke.
He has lived in the home, mostly alone, since 1964, when he and his second wife, a Las Vegas showgirl, divorced. Most of his relatives, with the exception of two older sisters, have died. "My listeners," he said, "they are like a family."
Regular Laboe listeners include middle-age mothers and high-ranking politicians in the state Capitol. His fans identify with the melodramatic songs he plays the way Tennesseans identify with country music. Some callers express themselves in Laboe-isms, parroting the lyrical verses heard on the oldies show.
I want to tell him to 'Smile now, cry later' because 'I will always be there for you.'
State Sen. Gil Cedillo (D-Los Angeles) remembers cruising through Boyle Heights with Antonio Villar (later Villaraigosa) in the future mayor's canary yellow 1964 Chevy, bumping Laboe's music. It was the early 1970s, and Laboe was everyone's favorite uncle in the neighborhood, he said.
"There was no place else to be," Cedillo said, "but right there, listening to his music."
::
The crowd roars as Laboe steps onstage.
"We love you, Art!" young women yell in unison from their seats.
"You're the man!" the men holler.
It is the last hour of the Art Laboe Show LIVE concert in San Bernardino in September, and about 13,000 people, nearly all of them Latinos, are packed into the San Manuel Amphitheater.
Tattooed teenagers in baggy clothes sway in their seats alongside grandparents and children. Many slow-dance in the aisles and sing out loud as Evelyn "Champagne" King, the Manhattans and other acts perform songs that Laboe has helped keep alive.
The disc jockey emerges from backstage to introduce the last act. He is in his sixth suit of the evening, a gold polyester number that shimmers under red and yellow lights. He looks out into the audience and blows kisses.
"What a night! And it's not over yet. Wait till you see what we have coming up next."
Many of his fans, seeing his enthusiasm and hearing his vibrant voice, would never imagine the man on stage is almost 85.
"What is he?" asks a 16-year-old concertgoer. "I think 54. Or 63? . . . 61?"
No matter his age, Laboe has no plans to quit any time soon. He wants to syndicate his show in more states, enter the Radio Hall of Fame and learn how to use Twitter.
Yet radio is not the draw it once was. The recording studio he bought in the early 1960s no longer makes a profit and is up for sale. Some nights, a tired Laboe heads out early, leaving recorded dedications for his producer to read on the air.
Still, if the end of the Art Laboe era is approaching, his fans don't see it. Or don't want to believe it.
"I know he won't live forever," said Estella "Proxie" Aguirre, 67, a listener since the 1950s. "But I get a lump in my throat just talking about it. I love him like I love my husband, except Art Laboe and I never argue."
esmeralda.bermudez@latimes.com
Saturday, November 7, 2009
Pacquiao inspires in, out of ring
By Robert Morales, Staff Writer
sgvt
If Manny Pacquiao becomes any more popular, he won't be able to sneeze without an adoring fan offering to hold a handkerchief for him.
Bill Caplan, a longtime publicist who works for Pacquiao's promoter, Bob Arum, was at LAX two weeks ago when Pacquiao arrived from his native Philippines to continue training for next Saturday's welterweight title fight against Miguel Cotto at the MGM Grand in Las Vegas.
Several hundred - mostly Filipinos - showed up to greet Pacquaio.
But, Caplan said, "It was pandemonium like there were thousands, the way they rushed him. As soon as he appeared coming out of customs, they swarmed him. It was like the Beatles."
Caplan said Pacquiao escaped injury because airport security helped get him to a waiting car. It was so crazy, Caplan said, that television cameras there waiting to interview Pacquiao had to settle for his trainer, Freddie Roach.
"Even Mike Tyson didn't have the drawing power that Manny Pacquiao has right now," said Roach, who briefly trained Tyson. "Mike was always the biggest guy training and the attention was always there at the airports. But the way Manny Pacquiao arrived the other day, I never saw a crowd like that.
"People were swarming to try to get a touch or a look at Manny Pacquiao."
American talk shows have taken notice because Pacquiao this week was a guest on "Jimmy Kimmel Live." It seemed like every few seconds, the personable Pacquiao wore that infectious grin.
"He brightens up a room," Roach said. "He's got class and a great smile. Manny Pacquiao is an endearing person and a great fighter."
Pacquiao recently won the Gusi Peace Prize in the Philippines. It is the Asian version of the Nobel Peace Prize, and Pacquiao is the first athlete to receive it.
Pacquiao has been helping the people in his country for years. He continued that trend when he was training in Baguio City, Philippines when the recent typhoons hit Manila, causing death and destruction.
Pacquiao made the two-hour drive from the mountains of Baguio City to assist in the recovery, even though Roach really did not want him to.
"When the typhoon hit Manila pretty hard, Manny went down there on a Sunday to help the people out and I asked him not to go because I thought it was dangerous," Roach said. "But it was his day off and he went to Manila and helped as much as he could."
When Pacquiao was asked during a recent interview how the typhoons affected him, his sincerity was obvious.
"I felt so bad," he said. "I do have to focus on my training because I have to prepare. But I try to help the people in my country as much as I can."
The Teamsters Youth Boxing Club in South El Monte this weekend is playing host to the Silver Gloves District Championships.
Two session are on tap today at 11 a.m. and 6 p.m. The finals are Sunday at 11 a.m.
Admission is $5 for adults, $3 for children.
sgvt
If Manny Pacquiao becomes any more popular, he won't be able to sneeze without an adoring fan offering to hold a handkerchief for him.
Bill Caplan, a longtime publicist who works for Pacquiao's promoter, Bob Arum, was at LAX two weeks ago when Pacquiao arrived from his native Philippines to continue training for next Saturday's welterweight title fight against Miguel Cotto at the MGM Grand in Las Vegas.
Several hundred - mostly Filipinos - showed up to greet Pacquaio.
But, Caplan said, "It was pandemonium like there were thousands, the way they rushed him. As soon as he appeared coming out of customs, they swarmed him. It was like the Beatles."
Caplan said Pacquiao escaped injury because airport security helped get him to a waiting car. It was so crazy, Caplan said, that television cameras there waiting to interview Pacquiao had to settle for his trainer, Freddie Roach.
"Even Mike Tyson didn't have the drawing power that Manny Pacquiao has right now," said Roach, who briefly trained Tyson. "Mike was always the biggest guy training and the attention was always there at the airports. But the way Manny Pacquiao arrived the other day, I never saw a crowd like that.
"People were swarming to try to get a touch or a look at Manny Pacquiao."
American talk shows have taken notice because Pacquiao this week was a guest on "Jimmy Kimmel Live." It seemed like every few seconds, the personable Pacquiao wore that infectious grin.
"He brightens up a room," Roach said. "He's got class and a great smile. Manny Pacquiao is an endearing person and a great fighter."
Pacquiao recently won the Gusi Peace Prize in the Philippines. It is the Asian version of the Nobel Peace Prize, and Pacquiao is the first athlete to receive it.
Pacquiao has been helping the people in his country for years. He continued that trend when he was training in Baguio City, Philippines when the recent typhoons hit Manila, causing death and destruction.
Pacquiao made the two-hour drive from the mountains of Baguio City to assist in the recovery, even though Roach really did not want him to.
"When the typhoon hit Manila pretty hard, Manny went down there on a Sunday to help the people out and I asked him not to go because I thought it was dangerous," Roach said. "But it was his day off and he went to Manila and helped as much as he could."
When Pacquiao was asked during a recent interview how the typhoons affected him, his sincerity was obvious.
"I felt so bad," he said. "I do have to focus on my training because I have to prepare. But I try to help the people in my country as much as I can."
The Teamsters Youth Boxing Club in South El Monte this weekend is playing host to the Silver Gloves District Championships.
Two session are on tap today at 11 a.m. and 6 p.m. The finals are Sunday at 11 a.m.
Admission is $5 for adults, $3 for children.
Thursday, November 5, 2009
Lou Filippo dies at 83; boxing hall of famer appeared in 'Rocky' movies
Filippo was known as a pillar of honesty in the sport. He refereed and judged 85 world championship fights, including Sugar Ray Leonard's split-decision win over Marvin Hagler in 1987.
Lou Filippo, shown in 1954, had a distinguished career as an amateur before turning pro. His fight career ended in 1957. He appeared in five "Rocky" films. (Los Angeles Times)
By Lance Pugmire
November 5, 2009
Lou Filippo, a boxing hall of famer from Downey who became a referee and ring judge, memorably counting out Sylvester Stallone's champion rival Apollo Creed in the film "Rocky II," died Monday at Downey Regional Medical Center after suffering a stroke. He was 83.
Filippo was a distinguished amateur fighter who fought in more than 250 bouts before turning pro. His fighting career ended in 1957 with a no-contest outcome and a technical knockout loss against Hall of Famer Carlos Ortiz, a bout stopped because of Filippo's cuts -- bleeding plagued his 23-9-3 pro career.
Boxing historian Don Fraser of the California Boxing Hall of Fame recalled that Filippo was originally awarded a victory in the first bout against Ortiz after being hit after the bell, but a Times reporter questioned a member of the California State Athletic Commission about that ruling, and the no-contest decision was invoked.
Fraser said about 40 gamblers who were set to lose money on the Filippo victory then forced the ring announcer to re-enter the Legion Stadium ring in Hollywood and announce the ruling so they could avoid the payoffs.
In a sport often stained by shady behavior, Fraser and veteran boxing publicist Bill Caplan recalled Filippo as a pillar of character and honesty who proceeded to referee and judge 85 world championship fights, including Sugar Ray Leonard's controversial split-decision victory over Marvin Hagler in 1987. Filippo scored narrowly in Hagler's favor.
"He took some heat, but why?" Caplan asked. "The perfect man would've taken heat over that fight. Half of the people thought each guy won."
Filippo also judged Shane Mosley's split-decision victory over Oscar De La Hoya at Staples Center in 2000, awarding Mosley a 116-112 score.
Filippo told his two daughters that the most important part of his job was to maintain integrity and to "listen to yourself, not the fans."
Caplan said Filippo's reputation as a "loyal, straight-up guy" helped him win Stallone's attention, and the actor used Filippo in five "Rocky" movies. In "Rocky II," Filippo tells Stallone's bloodied character Rocky Balboa before the epic 15th round, "Hey, Rock, you get in trouble one more time . . . ," to which Balboa answers, "Don't stop nothing!" When both fighters fall to the canvas on a Balboa punch and Creed slumps in a corner, Filippo tells the champ, "You're out!"
Filippo was born Dec. 1, 1925 in Los Angeles, attended Fremont High School in South L.A. and served in the Navy during World War II.
He was elected president of the World Boxing Hall of Fame in 1993, and he judged a bout at the Commerce Casino only two weeks ago, his daughter Patti Petruzelli said. She said her father was never sick and only complained of his first headache last week. But he sorely missed his late wife, Pat, who died in 2007, and his daughter said, "He's where he wants to be now. He loved her.
"Boxing was his second love."
In addition to Petruzelli, Filippo is survived by another daughter, Debbye Shepard; two grandsons; and three great-grandchildren.
Visitation is scheduled for Friday from 4 to 8 p.m. at Miller Mies Mortuary, 11015 Downey Ave., Downey. The funeral will be Saturday at 9:30 a.m. at Our Lady of Perpetual Help Church, 10727 Downey Ave., Downey.
lance.pugmire@latimes.com
Twitter.com/latimespugmire
Lou Filippo, shown in 1954, had a distinguished career as an amateur before turning pro. His fight career ended in 1957. He appeared in five "Rocky" films. (Los Angeles Times)
By Lance Pugmire
November 5, 2009
Lou Filippo, a boxing hall of famer from Downey who became a referee and ring judge, memorably counting out Sylvester Stallone's champion rival Apollo Creed in the film "Rocky II," died Monday at Downey Regional Medical Center after suffering a stroke. He was 83.
Filippo was a distinguished amateur fighter who fought in more than 250 bouts before turning pro. His fighting career ended in 1957 with a no-contest outcome and a technical knockout loss against Hall of Famer Carlos Ortiz, a bout stopped because of Filippo's cuts -- bleeding plagued his 23-9-3 pro career.
Boxing historian Don Fraser of the California Boxing Hall of Fame recalled that Filippo was originally awarded a victory in the first bout against Ortiz after being hit after the bell, but a Times reporter questioned a member of the California State Athletic Commission about that ruling, and the no-contest decision was invoked.
Fraser said about 40 gamblers who were set to lose money on the Filippo victory then forced the ring announcer to re-enter the Legion Stadium ring in Hollywood and announce the ruling so they could avoid the payoffs.
In a sport often stained by shady behavior, Fraser and veteran boxing publicist Bill Caplan recalled Filippo as a pillar of character and honesty who proceeded to referee and judge 85 world championship fights, including Sugar Ray Leonard's controversial split-decision victory over Marvin Hagler in 1987. Filippo scored narrowly in Hagler's favor.
"He took some heat, but why?" Caplan asked. "The perfect man would've taken heat over that fight. Half of the people thought each guy won."
Filippo also judged Shane Mosley's split-decision victory over Oscar De La Hoya at Staples Center in 2000, awarding Mosley a 116-112 score.
Filippo told his two daughters that the most important part of his job was to maintain integrity and to "listen to yourself, not the fans."
Caplan said Filippo's reputation as a "loyal, straight-up guy" helped him win Stallone's attention, and the actor used Filippo in five "Rocky" movies. In "Rocky II," Filippo tells Stallone's bloodied character Rocky Balboa before the epic 15th round, "Hey, Rock, you get in trouble one more time . . . ," to which Balboa answers, "Don't stop nothing!" When both fighters fall to the canvas on a Balboa punch and Creed slumps in a corner, Filippo tells the champ, "You're out!"
Filippo was born Dec. 1, 1925 in Los Angeles, attended Fremont High School in South L.A. and served in the Navy during World War II.
He was elected president of the World Boxing Hall of Fame in 1993, and he judged a bout at the Commerce Casino only two weeks ago, his daughter Patti Petruzelli said. She said her father was never sick and only complained of his first headache last week. But he sorely missed his late wife, Pat, who died in 2007, and his daughter said, "He's where he wants to be now. He loved her.
"Boxing was his second love."
In addition to Petruzelli, Filippo is survived by another daughter, Debbye Shepard; two grandsons; and three great-grandchildren.
Visitation is scheduled for Friday from 4 to 8 p.m. at Miller Mies Mortuary, 11015 Downey Ave., Downey. The funeral will be Saturday at 9:30 a.m. at Our Lady of Perpetual Help Church, 10727 Downey Ave., Downey.
lance.pugmire@latimes.com
Twitter.com/latimespugmire
Sunday, October 25, 2009
Wednesday, October 21, 2009
Frank Baltazar - Bio for Johnny Flores Award
By Rick Farris
Frank Baltazar's involvement in boxing began shortly after WW2 at the age of 12.
Growing up in Los Angeles and fighting out of the Teamster's Gym, Frank fought under Hoyt Porter and Louie Jaurequi.
In the mid-60's, Frank turned from boxing to coaching and took over the Los Angeles Junior Golden Gloves program, helping develop future top contenders and world champions, including two of his four sons, Frankie Jr. and Tony Baltazar.
The Junior Golden Gloves was created by Johnny Flores and Louie Jaurequi. Frank Baltazar would take over the program after Flores and Jaurequi focused on developing professional boxers.
Under Frank's guidance, the Junior Golden Gloves program not only contributed to boxing, but to the community, providing youth with an alternative to gang involvment.
In 1973, Frank was head coach for Los Angeles Golden Gloves team which represented the City of Angels in the annual National Golden Gloves "Tournament of Champions" helden in Boston, Mass.
The all-star L.A. team included future contenders and a world champ in Art Frias, Frankie Duarte, Randy Shields and national Golden Gloves champ, Roy Hollis.
Frank would later manage the careers of his two oldest sons, both who reached top ranking in the junior lightweight and welterweight divisions.
Frank has been married to his wife, Connie, for more than fifty years. They have one daughter, Linda, and four sons, Frank Jr., Tony, Bobby and James.
Today, Frank Baltazar is the Vice President of the California Boxing Hall of Fame and contributes his knowledge and history thru a variety of on-line boxing publications, most notably the "Classic American West Coast Boxing" thread of the Boxrec Forum.
The World Boxing Hall of Fame is honored to have Frank Baltazar the first recipient of the annual "Johnny Flores Youth Development Award" for his contribution to youth, boxing and the community.
Frank Baltazar's involvement in boxing began shortly after WW2 at the age of 12.
Growing up in Los Angeles and fighting out of the Teamster's Gym, Frank fought under Hoyt Porter and Louie Jaurequi.
In the mid-60's, Frank turned from boxing to coaching and took over the Los Angeles Junior Golden Gloves program, helping develop future top contenders and world champions, including two of his four sons, Frankie Jr. and Tony Baltazar.
The Junior Golden Gloves was created by Johnny Flores and Louie Jaurequi. Frank Baltazar would take over the program after Flores and Jaurequi focused on developing professional boxers.
Under Frank's guidance, the Junior Golden Gloves program not only contributed to boxing, but to the community, providing youth with an alternative to gang involvment.
In 1973, Frank was head coach for Los Angeles Golden Gloves team which represented the City of Angels in the annual National Golden Gloves "Tournament of Champions" helden in Boston, Mass.
The all-star L.A. team included future contenders and a world champ in Art Frias, Frankie Duarte, Randy Shields and national Golden Gloves champ, Roy Hollis.
Frank would later manage the careers of his two oldest sons, both who reached top ranking in the junior lightweight and welterweight divisions.
Frank has been married to his wife, Connie, for more than fifty years. They have one daughter, Linda, and four sons, Frank Jr., Tony, Bobby and James.
Today, Frank Baltazar is the Vice President of the California Boxing Hall of Fame and contributes his knowledge and history thru a variety of on-line boxing publications, most notably the "Classic American West Coast Boxing" thread of the Boxrec Forum.
The World Boxing Hall of Fame is honored to have Frank Baltazar the first recipient of the annual "Johnny Flores Youth Development Award" for his contribution to youth, boxing and the community.
Monday, October 19, 2009
FATHER
By Roger Esty
I've seen the managers and promoters who've drained the life's blood from their charges. The fighters who had nothing to show for it in the end. What's worse they were allowed to continue too long. Those boys need to be protected now. Some have caretakers. Some live on the county farm. Some wander the streets. Some have droped off the face of the earth.
What I've never understood is why a father would push his son into the most unforgiving of sports, and then let him continue when everyone around could see that it was a bad risk to let it go on.
Frank Baltazar was not one of those fathers. His sons took to the sport without overbearing pressure nor a guilt trip laid upon them from their dad.The sons wanted to box. So be it. When Frank saw that Frankie Jr. was at the end of his career,he told him to clear out his locker. Frank would walk away.There was an empty locker at the Main Street Gym. Tony,the younger brother, thought he could still go. Frank explained to his son that he was a man who could make his own decisions about continuing his career if he wanted,but Frank would not be involved anymore. He washed his hands of it.He told his son that he loved him . Tony was on his own.
Frank told me that every time his sons entered the ring, he was a nervous wreck.That's the way it should be with fathers and sons in this sport. I've seen the exploiters, and the ones who can't see that their guy hasn't anything left.
Next Saturday they're going to give Frank an award at the World Boxing Hall Of Fame Banquet.The Johnny Flores Award. An award that is significant of someone who has given an honest effort developing young fighters. I'll be on my feet applauding.
I've seen the managers and promoters who've drained the life's blood from their charges. The fighters who had nothing to show for it in the end. What's worse they were allowed to continue too long. Those boys need to be protected now. Some have caretakers. Some live on the county farm. Some wander the streets. Some have droped off the face of the earth.
What I've never understood is why a father would push his son into the most unforgiving of sports, and then let him continue when everyone around could see that it was a bad risk to let it go on.
Frank Baltazar was not one of those fathers. His sons took to the sport without overbearing pressure nor a guilt trip laid upon them from their dad.The sons wanted to box. So be it. When Frank saw that Frankie Jr. was at the end of his career,he told him to clear out his locker. Frank would walk away.There was an empty locker at the Main Street Gym. Tony,the younger brother, thought he could still go. Frank explained to his son that he was a man who could make his own decisions about continuing his career if he wanted,but Frank would not be involved anymore. He washed his hands of it.He told his son that he loved him . Tony was on his own.
Frank told me that every time his sons entered the ring, he was a nervous wreck.That's the way it should be with fathers and sons in this sport. I've seen the exploiters, and the ones who can't see that their guy hasn't anything left.
Next Saturday they're going to give Frank an award at the World Boxing Hall Of Fame Banquet.The Johnny Flores Award. An award that is significant of someone who has given an honest effort developing young fighters. I'll be on my feet applauding.
Wednesday, October 14, 2009
CAPICHE?
By Roger Esty
"Do you get it? Capiche?",my Uncle Joe turned to my father.
"Naw,it didn't happen that way. That movie is horrible,"responded my father.
We were all sitting in the living room. My sisters rented The Godfather. The movie had been out quite a while,but my father never seemed interested to watch it. Finally,one night we talked him into it.My mother stayed in the bedroom.
"But Joe,"said my uncle with a big smile,"how about when Marlon Brando makes him an offer he can't refuse?"
My uncle was beside himself. He grew up in the neighborhood in the Southwest Side of Chicago ,but was never in the Outfit. He saw those guys,but they never cut him in on anything. My father? Well,his dad Diamond Joe assured my father that one day he would be welcome. He knew them all.
"Look."said my father to my uncle,"if you believe that crap go ahead. You're about that stupid to fall for it."
My father never cared much for my Uncle Joe(my mother's brother).I don't think my Uncle Joe liked my father much either. My father thought that his brother in law was a low life always going to Tijuana on the bus playing the dogs at Caliente and eating those hot dogs off the cart and getting in at 4 in the morning. You see,my uncle was living with us at the time.
My uncle thought he told the funniest stories . He liked to talk about when he was in the Army in WWII. I don't think he saw any action or he would have talked about it,but he did say that General Patton gave him a pat on the shoulder while my uncle was on guard duty in France.
My dad was a Marine in two of the biggest battles of the Pacific and in the thick of it everyday. My father thought my uncle was a blowhard.
"But Giuseppe ,"urged my uncle,"The Godfather won all the awards."
"I don't give a damn. What do they know?"
Well, that night was a dud. My father wasn't impressed and it put another nail into my uncle's coffin as far as my dad liking him.
"Joe,"said my uncle laughing away,"The Godfather won Brando an Oscar."
"Look,"said my father with a straight face,"You and Brando can go f--k yourselves. Capiche?
"Do you get it? Capiche?",my Uncle Joe turned to my father.
"Naw,it didn't happen that way. That movie is horrible,"responded my father.
We were all sitting in the living room. My sisters rented The Godfather. The movie had been out quite a while,but my father never seemed interested to watch it. Finally,one night we talked him into it.My mother stayed in the bedroom.
"But Joe,"said my uncle with a big smile,"how about when Marlon Brando makes him an offer he can't refuse?"
My uncle was beside himself. He grew up in the neighborhood in the Southwest Side of Chicago ,but was never in the Outfit. He saw those guys,but they never cut him in on anything. My father? Well,his dad Diamond Joe assured my father that one day he would be welcome. He knew them all.
"Look."said my father to my uncle,"if you believe that crap go ahead. You're about that stupid to fall for it."
My father never cared much for my Uncle Joe(my mother's brother).I don't think my Uncle Joe liked my father much either. My father thought that his brother in law was a low life always going to Tijuana on the bus playing the dogs at Caliente and eating those hot dogs off the cart and getting in at 4 in the morning. You see,my uncle was living with us at the time.
My uncle thought he told the funniest stories . He liked to talk about when he was in the Army in WWII. I don't think he saw any action or he would have talked about it,but he did say that General Patton gave him a pat on the shoulder while my uncle was on guard duty in France.
My dad was a Marine in two of the biggest battles of the Pacific and in the thick of it everyday. My father thought my uncle was a blowhard.
"But Giuseppe ,"urged my uncle,"The Godfather won all the awards."
"I don't give a damn. What do they know?"
Well, that night was a dud. My father wasn't impressed and it put another nail into my uncle's coffin as far as my dad liking him.
"Joe,"said my uncle laughing away,"The Godfather won Brando an Oscar."
"Look,"said my father with a straight face,"You and Brando can go f--k yourselves. Capiche?
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